The Whistlegraph Zine — Sex Magazine (ed. Asher Penn), 2023. 60pp, 750 copies.
Future
A whistlegraph has always been drawn flat — on snow, on wet pavement, on paper.
These are concept drawings for what it looks like when the surface opens into a
volume: people whistling together in one space, each line held in the air where
it was drawn, a handle floating beside whoever drew it. They are proposals, not
products — except one, which already happened.
Ashland, 2022Documentary — Recorded with Wand,
our own drawing tool, on two headsets swapped in turn so the line never had to
stop for a battery. The result was Freaky Flowers. The whistlegraph line
and the wand line are the same hand.
Choir in the round
Four people, four scores, one knot where the lines meet overhead. Everyone can
see who drew which line, because the handle stays with the hand.
More than two dimensions
The score wraps the lattice, then leaves through a face and keeps going somewhere
the drawn geometry does not account for. A whistlegraph you cannot flatten back
onto a page.
What the drawer sees
The bird appears twice: once in the air at our angle, once bent across the visor
at theirs. Nobody in the room is looking at the same score.
Passing the marker
A line can be handed over while it is still wet. Whistlegraphs were always made
in company; this is what a duet looks like when the paper is gone.
A workshop, in the round
Nine people, nine lines, none alike — some finished and left hanging, one
abandoned entirely. Teaching it is the same job it always was: walking between
people and looking at what they made.
Walk around the scoreButterfly Cosplayer as an object you can circle and read from a
new angle. The tag tied to the line is the whole exhibition label — there is no
wall to hang one on.
Drawn in colored pencil, 2026. The handles shown are placeholders except
@jeffrey and @minanimals.